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2005 (vol. 44, 1-2) >

Please use this identifier to cite or link to this item: http://hdl.handle.net/10278/134

Title: La città metafisica di Max Jacob. 'Le Cornet à dés' (1917; 1955)
Author⁄s: Martinuzzi, Paola
Date issued: 2005
Type of document: Article
Is part of: Annali di Ca' Foscari: Rivista della Facoltà di Lingue e letterature straniere dell'Università Ca' Foscari di Venezia, Serie Occidentale, 44 (1-2), 2005, pp. 289-305.
Publisher: Padova, Editoriale Programma
Abstract: Max Jacob's 'poèmes en prose' come in the wake of the revolutionary 'poème-illumination' by Rimbaud. They offer a discontinuity which contracts lengths and distances in a fragmented vision acquiring the traits of metaphysical painting. This fragmentary nature, suspended in an ever-possible but never-defined polysemantic dimension, draws a disquieting and oneiric urban picture, the dramatic force of which finds a salvational escape in childhood memory.
Language: ita
Access rights: open
Appears in Collections:Annali della Facoltà di lingue e letterature straniere di Ca' Foscari >2005 (vol. 44, 1-2)

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