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2005 (44.1-2) >

Please use this identifier to cite or link to this item: http://hdl.handle.net/10278/136

Title: The Naked Man from the Sea: Identity and Separation in "The Secret Sharer"
Author⁄s: Vanon Alliata, Michela
Date issued: 2005
Type of document: Article
Is part of: Annali di Ca' Foscari : Rivista della Facoltà di Lingue e Letterature Straniere dell'Università Ca' Foscari di Venezia, 2005, vol. 44 (1-2), pp. 325-341
Publisher: Padova, Editoriale Programma
Abstract: "The Secret Sharer", Conrad's greatest contribution to the literature of the double, defines a whole series of concerns and conflicts central to both his life and fiction. While producing a dynamic narrative structure, the motif of the divided self becomes a device to overcome the boundaries of adventure in favour of a psychological realism of striking profundity, the drama of a divided subjectivity. Here the double, a fascinating and mysterious murderer, is both the projection of the protagonist's dark side and an empathetic other instrumental in the individuation process and emergence of the sense of self.
Language: eng
Keywords: Conrad
The Secret Sharer
The Double
Access rights: open
Appears in Collections:Annali della Facoltà di lingue e letterature straniere di Ca' Foscari >2005 (44.1-2)

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