Sfoglia per Autore
Wang Bing’s The Ditch: Spaces of history between documentary and fiction
2012-01-01 Pollacchi, Elena
Cina. In corsa per superare Hollywood./China. Running to Surpass Hollywood
2013-01-01 Pollacchi, Elena
An Affair to Remember. Kim Ki-duk at the Venice International Film Festival
2013-01-01 Pollacchi, Elena
Jia Zhangke’s taxonomy of violence: A Touch of Sin
2014-01-01 Pollacchi, Elena
En ny guldålder för kinesisk film? (A New Golden Era for Chinese films?)
2014-01-01 Pollacchi, Elena
The rules of the game: how film festivals and sales agents have shaped the consumption of Chinese (independent) films
2014-01-01 Pollacchi, Elena
The 4th Xi’an China International Folk Video Festival (or an alternative way to screen documentaries in China)
2014-01-01 Pollacchi, Elena
Wang Bing’s Shared Spaces of Labor
2014-01-01 Pollacchi, Elena
Spaces and bodies: The legacy of Italian cinema in contemporary Chinese film-making
2014-01-01 Pollacchi, Elena
Kinesisk reformpolitik granskas på vita duken [China’s Policy of Reforms reviewed on screen]
2015-01-01 Pollacchi, Elena
The politics of securitization in contemporary China: Investigating post-agency and forms of ‘migration’ from state control
2016-01-01 Pollacchi, Elena; Lagerkvist, Johan
“Mature at Birth”: the Beijing International Film Festival between the National Film Industry and the Global Film Festival Circuit
2017-01-01 Pollacchi, Elena
Jia Zhangke’s Mountains May Depart (2015) and the China Dream or, How Chinese art cinema learned to stop worrying and love Chinese soft power
2017-01-01 Pollacchi, Elena
Extracting narratives from reality: Wang Bing's counter-narrative of the China Dream
2017-01-01 Pollacchi, Elena
Taiwan Cinema at the Venice Film Festival: from cultural discovery to cultural diplomacy
2017-01-01 Pollacchi, Elena
Schermi a più dimensioni. Soft power e presenza cinese alla Mostra del cinema di Venezia (2012-18)
2018-01-01 Pollacchi, Elena
Storie di un futuro (quasi) impossibile. Cinema e fantascienza nella Repubblica Popolare Cinese
2018-01-01 Pollacchi, Elena
Porous circuits: Tsai Ming-liang, Zhao Liang, and Wang Bing at the Venice International Film Festival and the interplay between the festival and the art exhibition circuits
2019-01-01 Pollacchi, Elena
Dal sacrificio individuale al desiderio individuale: l’impatto del “secolo cinese” sulla famiglia attraverso il cinema
2020-01-01 Pollacchi, Elena
Wang Bing’s Filmmaking of the China Dream. Narratives, Witnesses and Marginal Spaces
2021-01-01 Pollacchi, Elena
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