This paper article aims to analyse Tanizaki Jun’ichirō’s conception of the arts, the performing arts in particular, and some crucial aspects, theatrical as well as aesthetic, - body and training, body and environment, humility and dedication, the value of the text and the role of its interpreter, stage presence and self-awareness, the destiny and many facets of the arts – that Tanizaki recognizes in the way of art (geidō) of the Japanese tradition, such as we can read in particular in his essay Geidan (Gei ni tsuite, 1933).

Tanizaki and the Way of Art (geido): traditional arts and performance skills

RUPERTI, Bonaventura
2009-01-01

Abstract

This paper article aims to analyse Tanizaki Jun’ichirō’s conception of the arts, the performing arts in particular, and some crucial aspects, theatrical as well as aesthetic, - body and training, body and environment, humility and dedication, the value of the text and the role of its interpreter, stage presence and self-awareness, the destiny and many facets of the arts – that Tanizaki recognizes in the way of art (geidō) of the Japanese tradition, such as we can read in particular in his essay Geidan (Gei ni tsuite, 1933).
2009
The Grand Old Man and the Great tradition
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/21017
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