By examining Giovanni Testori and Eduardo De Filippo’s rewriting of Shakespeare, this article analyzes the treatment – a mixture of hatred, love and pastiche – of Shakespeare’s work in Italian theater of the last part of the 20th century, in light of the vernacular and multilingual tradition that marks the history of the Italian stage.
Haine, amore, pastiche: Shakespeare, Testori, De Filippo
Vescovo
2017-01-01
Abstract
By examining Giovanni Testori and Eduardo De Filippo’s rewriting of Shakespeare, this article analyzes the treatment – a mixture of hatred, love and pastiche – of Shakespeare’s work in Italian theater of the last part of the 20th century, in light of the vernacular and multilingual tradition that marks the history of the Italian stage.
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