Found footage and archive images, split-screen or a multiplication of the image on screen, a replacement of the original soundtrack with commentary, a detached voice-over alternating long/silent sequences, an explanatory use of info-graphics and tracking technologies. These elements feature in Harun Farocki’s work on surveillance – work ranging from documentary films to video installations that constitutes a complex imagery based on practices of watching and being watched, control and the gaze, triggered throughout private and public spaces.

Poetics and politics of the trace: Notes on surveillance practices through Harun Farocki’s work

Miriam Stefania De Rosa
2014-01-01

Abstract

Found footage and archive images, split-screen or a multiplication of the image on screen, a replacement of the original soundtrack with commentary, a detached voice-over alternating long/silent sequences, an explanatory use of info-graphics and tracking technologies. These elements feature in Harun Farocki’s work on surveillance – work ranging from documentary films to video installations that constitutes a complex imagery based on practices of watching and being watched, control and the gaze, triggered throughout private and public spaces.
2014
3
File in questo prodotto:
File Dimensione Formato  
mdr_necsus_trace.pdf

accesso aperto

Tipologia: Documento in Post-print
Licenza: Creative commons
Dimensione 504.08 kB
Formato Adobe PDF
504.08 kB Adobe PDF Visualizza/Apri

I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3744918
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact