Examination of the rarely unequivocal relationship between the compositional style of a given piece of music, its function (or functions) in performance, and its sound, in the context of what is known about normal uses and practices of music both in the greatest churches and, above all, in parish and monastic churches on the Italian peninsula during the sixteenth and early seventeenth centuries.
Autori: | |
Data di pubblicazione: | 2014 |
Titolo: | Compositional Style, Performance and Function in Sixteenth-Century Italian Church Polyphony |
Titolo del libro: | Psalmen: Kirchenmusik zwischen Tradition, Dramatik und Experiment |
Appare nelle tipologie: | 4.1 Articolo in Atti di convegno |
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