Improvisation is often conceived as making music without reading a score. This interpretation derives from the Western identification of composition with written music. But “improvisation” too is a form of composition – and not just in “real time” – with aims and criteria that differ from those of written music. Today the interest in improvisation is growing –and even changing with respect to the postwar years – in connection with changes in music, sound and social relationships, reflecting new media developments.
|Titolo:||Composizione e improvvisazione: dove sta la differenza?|
|Data di pubblicazione:||2013|
|Appare nelle tipologie:||2.1 Articolo su rivista |