Analysis of how church music is consumed on the Italian peninsula in relation to the activities of professional, semi-professional and non-professional musicians, how composers respond to the sum of the different practical necessities, and how this response interconnects with 'Musiktransfer'.
Peformers, Practice, Compositional Style and the Economics of Sacred Music Poduction in Sixteenth- and Seventeenth-Century Italy
David Douglas Bryant;Elena Quaranta
2022-01-01
Abstract
Analysis of how church music is consumed on the Italian peninsula in relation to the activities of professional, semi-professional and non-professional musicians, how composers respond to the sum of the different practical necessities, and how this response interconnects with 'Musiktransfer'.
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