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On Reenactment: Concepts, Methodologies, Tools., file 375bbfec-748a-49bf-9f04-ba8f70d9ddda
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339
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“Era ora!”: Cristina Baldacci and Marysia Lewandowska discuss Lewandowska’s "It’s About Time", file e4239ddd-b533-7180-e053-3705fe0a3322
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149
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Reenactment: Errant Images in Contemporary Art, file e4239ddd-2bbe-7180-e053-3705fe0a3322
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81
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Recirculation: The Wandering of Digital Images in Post-Internet Art, file e4239ddd-2bbd-7180-e053-3705fe0a3322
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51
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Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, file c92fcd84-a3be-4dac-9bc6-c4ca74313f9e
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44
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The Archives of La Biennale di Venezia as the Seventh Muse: Revisiting (Art) History, file 625bd7de-f9ba-4b91-9f93-4236591ad9b3
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30
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Represencing Performance, Dance, and Visual Art, file 987e2d1a-298a-4073-a149-3883af460693
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27
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Cristina Baldacci conversa con Yuki Kihara, file c702a768-2376-4011-9e33-198f0a42c8e1
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21
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Re-Enacting Ecosystems: Jakob Kudsk Steensen’s Environmental Storytelling in Virtual and Augmented Reality, file 47e01fec-e498-476a-bc92-6cfe9564183a
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20
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Gauguin "in drag". La storia dell'arte decolonizzata in prospettiva "ecoqueer", file 36015c7f-4ab7-4102-83e6-9865c1dc2678
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19
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Unframing/Reframing in the Contemporary Visual, Performing, and Media Arts, file cfd259db-010c-4479-8b5c-532528a1d2bc
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19
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An Archipelago of Ecological Care: Venice, Its Lagoon, and Contemporary Art, file 0f7cb208-8751-4d80-99ef-77dd3cf88590
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13
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Alla soglia dell'immaterialità. Sculture che assorbono e irradiano luce, file bee3f8e4-2c95-4917-bd53-5187daa1813e
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12
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Un viaggio postumano. Quando l'arte si fa scienza e viceversa, file 98572a17-4d2c-4613-aaf6-bb68859b8a41
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11
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Introduction (Unframing/Reframing in the Contemporary Visual, Performing, and Media Arts), file 4a54507e-1869-4180-bcf5-4f312d1cdbaf
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7
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Editing as a Performative and Collaborative Practice. Ryan Trecartin's Hectic Video Collages, file e4239ddd-2e87-7180-e053-3705fe0a3322
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7
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(Auto)ritratti a corpo libero. Francesca Woodman. "Spazio2", file e4239dde-5ec1-7180-e053-3705fe0a3322
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7
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Archivi impossibili. Un'ossessione dell'arte contemporanea, file e4239ddd-2ccb-7180-e053-3705fe0a3322
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6
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Atlante del corpo emozionale. Sissi. "Leggersi dentro", file e4239dde-6391-7180-e053-3705fe0a3322
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6
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L'arte come progetto di vita, file 530bded7-9637-4a7a-986d-4d0b63d45127
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5
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Preface (Building Common Ground: Ecological Art Practices and Human-Nonhuman Knowledges), file a1087e6a-09ed-470d-825d-433215deb0e2
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5
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Riattivare la storia, file 3c667d48-90e0-4cd5-8f89-0201c156169f
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4
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Re-Presenting Art History: An Unfinished Process, file c2b8fb31-bdf0-4dca-9e45-ac0e61b08d18
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4
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Appunti del paesaggio. Antonio Rovaldi. "End. Words from the Margins, New York City", file e4239dde-5c5f-7180-e053-3705fe0a3322
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4
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Un viaggio negli abissi (post)coloniali, file 2d4039e4-3d24-46db-a3cd-b5536bdec1be
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3
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La pittura come specchio sul mondo, file 94d7922b-438d-4055-a40b-bd571a3f535f
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3
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Bridging the Gap Between Theory and Practice A Conversation on Framing and Reframing, file a7ea1365-8770-41f9-b462-0eaa549b2bf1
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2
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Il dipinto come manufatto, file b5f082a6-69bb-4943-a204-737e3a11ebfe
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2
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'Language to be Looked at and/or Things to be Read': Language as a Sculptural Material in Robert Smithson, file e4239ddd-24a9-7180-e053-3705fe0a3322
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2
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Dalla fotografia alla pittura e ritorno. Gerhard Richter. ‘Annunciazione da Tiziano’, file e4239ddd-29f4-7180-e053-3705fe0a3322
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2
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Arte da abbandonare e spazi di cui riappropriarsi: Franco Mazzucchelli. ‘Abbandono’, file e4239ddd-29f8-7180-e053-3705fe0a3322
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2
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C.Ar.D. – Contemporary Art and Design, file e4239ddd-2a2f-7180-e053-3705fe0a3322
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2
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Montages: Assembling as a Form and Symptom in Contemporary Arts, file e4239ddd-2ac4-7180-e053-3705fe0a3322
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2
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Invernomuto; Anna K.E. e Florian Meisenberg; Nari Ward; Lucas Blalock; Maria Morganti; Chris Wiley, file e4239ddd-2be7-7180-e053-3705fe0a3322
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2
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Zwischen den Wasserlilien. Ein Interview mit Omer Fast, file e4239ddd-b7d2-7180-e053-3705fe0a3322
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2
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Variazioni sulla forma. Linda Fregni Nagler. "Things That Death Cannot Destroy", file e4239dde-5c61-7180-e053-3705fe0a3322
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2
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Anacronismi, Appropriazione, Archivio, Atlante, Audience, Barr (Alfred), Boetti (Alighiero), Berger (John), Bois (Yves-Alain), Darboven (Hanne), Deacon (Richard), Delvoye (Wim), Einstein (Carl), Genzken (Isa), Re-enactment, Richter (Gerhard), Riviste d’arte contemporanea, Steyerl (Hito), file b9348f85-ecee-4fb9-976c-4d79341a8cc3
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1
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The Reactivation of Time, file cbf9e7d1-8be0-4b12-bc14-6b16083765e6
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1
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(Io) sono gli oggetti che mi circondano: Sol Le Witt. ‘Autobiography’, file e4239ddd-2415-7180-e053-3705fe0a3322
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1
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Il colore della luce. Il Domfenster di Gerhard Richter a Colonia, file e4239ddd-25c5-7180-e053-3705fe0a3322
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1
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Language: Introduction, file e4239ddd-29c5-7180-e053-3705fe0a3322
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1
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La scultura come gesto e ‘vanitas’: Urs Fischer. ‘Untitled’, file e4239ddd-29f6-7180-e053-3705fe0a3322
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1
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La mostra come opera d’arte: Philippe Parreno. ‘The Crowd', file e4239ddd-2bc5-7180-e053-3705fe0a3322
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1
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Facce. Una storia del volto, file e4239ddd-2cc7-7180-e053-3705fe0a3322
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1
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La mostra 'Nuovi arrivi'. Prove di ri-montaggio di una collezione privata in museo, file e4239ddd-2d44-7180-e053-3705fe0a3322
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1
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Archival Turn: Questioning Cultural Heritage in the Digital Age, file e4239ddd-2e93-7180-e053-3705fe0a3322
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1
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Tracciare la vita: il diario come forma d’arte/Tracing life: the diary as an art form, file e4239ddd-bbe2-7180-e053-3705fe0a3322
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1
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Polvere e luoghi: l’arte come sedimento. Luca Vitone. "Le ceneri di Milano", file e4239dde-5749-7180-e053-3705fe0a3322
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1
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L’arte come processo metabolico. Marzia Migliora. "Paradossi dell’abbondanza #17", file e4239dde-5ec4-7180-e053-3705fe0a3322
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1
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“The Last Pictures”: esclusioni, presenze e ritorni d’archivio/“The Last Pictures”: exclusions, presences and archive returns, file e4239dde-63cb-7180-e053-3705fe0a3322
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1
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| Totale |
931 |