This article intends to investigate the role played by different kinds of birds in the narrative scheme of the mediaeval love romance (premākhyān or mathnawī), a literary genre used by Indian Sufi poets aimed at conveying an esoteric message through the allegorical language of war and love. Although the principal actors of these poems are human, the functional role played by different animals such as birds (e.g. parrot, peacock, red-finch etc.) appears both as symbolically illustrative and intrinsically didactic. Works such as the Padmāvat of Malik Muhammad Jayasi and the Madhumālatī of Sayyid Manjhan Rajgiri are credited with successfully charging the adopted imagery and figurative language of their native Indian environment with the sophisticated teachings of Islamic esotericism (Sufism). The role of birds emerging from these works will be illustrated by and compared against their description in the literary productions of the Deccan where the mathnawī, an important literary genre imported from Persia, featured as one of the predominant expressions of early Urdu literature.
|Titolo:||Winged Messengers, Feathered Beauties and Beaks of Divine Wisdom: The Role of Birds in Hindi-Urdu Allegorical Love Stories|
|Data di pubblicazione:||2013|
|Appare nelle tipologie:||2.1 Articolo su rivista |
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