Christopher Bolton, Interpreting Anime; Thomas Lamarre, The Anime Ecology: A Genealogy of Television, Animation, and Game Media

It is the year 2019 and we now live in the present of the cataclysmic event credited for first introducing the world beyond Japan to anime. I am of course talking about Akira (1988), the seminal feature-length animated film, which, as the author of one of the books reviewed here puts it, took its contemporary audiences by wonder and surprise. In a way, then, what was once part of a distant and imaginary future has somehow already become our present. And while now effectively caught up with this post-apocalyptic fantasy, there still appears to be an ongoing and unresolved battle about whether anime can be taken and discussed seriously. Scholarship is still striving to come to terms with what anime is or could be used for. Interpreting Anime by Christopher Bolton and The Anime Ecology by Thomas Lamarre aim to advance the subfield and surpass previous work; despite differences in purpose and scope, both treat anime seriously and often playfully too. Inasmuch as these efforts come from the two editors of the long-running Mechademia series (since 2006 also published by University of Minnesota Press, arguably the pioneer in the field of anime studies), the establishment of authority is also at stake here. Arguably, contrasting these two major contributions to anime scholarship will help elucidate their respective ambitions and achievements, insights and blind spots.