This work examines the motif of the ambassador of himself in Calderón’s theater: to do so, first its theoretical context is presented (diplomatic representation, dissimulation and immunity), to then analyze its function and meaning in seven comedies (La selva confusa, El acaso y el error, El príncipe constante, La hija del aire (segunda parte), El jardín de Falerina, Afectos de odio y amor, En la vida todo es verdad y todo mentira y Mujer, llora y vencerás).
«Embajador de mí mismo»: variaciones de un motivo diplomático en Calderón
Adrián J. Sáez
In corso di stampa
Abstract
This work examines the motif of the ambassador of himself in Calderón’s theater: to do so, first its theoretical context is presented (diplomatic representation, dissimulation and immunity), to then analyze its function and meaning in seven comedies (La selva confusa, El acaso y el error, El príncipe constante, La hija del aire (segunda parte), El jardín de Falerina, Afectos de odio y amor, En la vida todo es verdad y todo mentira y Mujer, llora y vencerás).
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